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In most cases, these objects have received scant attention in comparison to these artists’ work in other media, particularly in the United States.\u003c\/p\u003e\n\u003cp\u003eThe catalogue is richly illustrated, with essays presenting new scholarship by current and former Nasher Sculpture Center staff. Marin Sullivan, Henry Moore Foundation Post-Doctoral Research Fellow at the University of Leeds and a former Nasher Sculpture Center Curatorial Fellow who assisted with the exhibition in its incipient stages, provides an insightful essay on the ceramic work of Fontana and Melotti within the context of Italy’s transition from dictatorship to modern democracy. Catherine Craft, the Nasher’s Adjunct Assistant Curator for Research and Exhibitions, examines Noguchi’s ceramic works within the complex personal and historical circumstances surrounding the Japanese-American artist’s engagement with Japan after the war. Picasso’s ceramics and their role in the artist’s pursuit of a more seamless integration of art and life receive fresh consideration from Dakin Hart, the former Assistant Director at the Nasher who is now Senior Curator at The Noguchi Museum in New York. 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Building on collage and other modern forerunners, contemporary artists have shown that when paper moves into sculpture, the results can be dramatic as well as contemplative, humorous as well as critical.  This publication explores the history of paper as a sculptural material as well as the work of five artists included in the Nasher Sculpture Center exhibition \u003cem\u003ePaper into Sculpture\u003c\/em\u003e—Noriko Ambe, Marco Maggi, Joshua Neustein, Nancy Rubins, and Franz West— who play on tensions between commonly held understandings of sculpture and what paper, pushed to its physical limits, can and cannot do. Beautifully designed and printed on an array of different papers and with an essay by Nasher Curator Catherine Craft, \u003cem\u003ePaper into Sculpture\u003c\/em\u003e offers a timely consideration of an enduring material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEditor: Catherine Craft; Author: Catherine Craft.\u003c\/p\u003e\n\u003cp\u003e© 2017 Nasher Sculpture Center.\u003c\/p\u003e\n\u003cp\u003eApprox. 10 X 8 X .38 in. | 52 pages with two foldouts.\u003c\/p\u003e\n\u003cp\u003e13 color illustrations.\u003c\/p\u003e\n\u003cp\u003eCover: Soft cover with emboss.\u003c\/p\u003e\n\u003cp\u003eISBN: 978-0-9912338-6-1\u003c\/p\u003e","brand":"NASHER SCULPTURE CENTER","offers":[{"title":"Default Title","offer_id":2809591693339,"sku":"9780991233861","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1488\/8402\/products\/Nasher_Products-25.jpg?v=1518451733"},{"product_id":"melvin-edwards-five-decades-1","title":"Melvin Edwards-Five Decades","description":"\u003cp\u003eOver the past five decades, American sculptor Melvin Edwards (born 1937) has produced a remarkable body of work redefining the modernist tradition of welded sculpture. Working primarily in welded steel, Edwards is perhaps best known for his \u003cem\u003eLynch Fragment\u003c\/em\u003e series of small-scale reliefs born out of the social and political turmoil of the civil rights movement. Beyond the \u003cem\u003eLynch Fragments\u003c\/em\u003e, Edwards’s oeuvre encompasses larger freestanding sculptures, installations, and public projects, along with a wealth of drawings, studies, and prints, and he has worked in places ranging from Los Angeles and New York to Senegal and other African nations.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of a major retrospective organized by the Nasher Sculpture Center, Dallas, \u003cem\u003eMelvin Edwards: Five Decades\u003c\/em\u003e presents a richly illustrated and deeply researched examination of Edwards’s career. Featuring full-color plates of more than ninety works and numerous unpublished photographs from the artist’s personal archive, it reveals as never before Edwards’s contributions to contemporary art and the legacy of his commitment to socially expressive abstraction. Essays by exhibition curator Catherine Craft and scholars Alex Potts and Tobias Wofford explore Edwards’s formidable body of work in relation to his forerunners and contemporaries in modern sculpture, his response to the civil rights movement and ongoing support of social justice, and his engagement with artists, writers, musicians, and artisans in the United States and abroad. A compilation of conversations between Craft and Edwards offers insights into the artist’s working process, and Leigh A. Arnold’s illustrated catalogue – the first of its kind – documents Edwards’s extensive career in public sculpture. 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Although Patsy Nasher passed away in 1988, Raymond Nasher continues to expand the collection, with an eye toward rounding it out historically and adding work by exciting young artists.\u003c\/p\u003e\n\u003cp\u003eIllustrated in this volume are 152 works by sixty-two artists, a selection that surveys many of the important sculptural developments of the past one hundred years. In no other historical period have the definitions of sculpture been so dramatically challenged and expanded. The Nasher Collection is a celebration of the creative energies behind this Modernist tradition. Particularly notable is the presentation in the depth of such masters as Alexander Calder, Raymond Duchamp-Villon, Alberto Giacometti, Henri Matisse, Joan Miró, Pablo Picasso, Medardo Rosso, and David Smith; groupings of multiple works allow a broad picture of each artist's achievement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuthors: Steven A. 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Propelled by insatiable curiosity and energy for making art, Ruby quickly developed a multifaceted practice encompassing sculpture, ceramics, installation, textiles, clothing, painting, collage, photography, and video. Although sculpture has played a central and increasingly prominent role in the artist’s development, \u003cem\u003eSterling Ruby: Sculpture \u003c\/em\u003eis the first museum exhibition to survey the great variety of sculptural work of one of the most significant contemporary artists today. From monumental ceramic collages to poured urethane compositions, soft sculptures incorporating fabrics dyed and bleached in the studio, and Minimalist compositions of urethane and formica, Ruby’s works cross traditional divisions between media and often straddle the line between high and low, fine art and craft, luxury goods and common necessities. Incorporating a variety of modernist strategies to make expressive works of art with materials typically associated with utility and affordability, Ruby addresses a range of issues—from societal to personal—and re-examines notions of beauty and value. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the exhibition, \u003cem\u003eSterling Ruby: Sculpture\u003c\/em\u003e presents a richly illustrated survey of the artist’s work in three dimensions and features a new scholarly essay by Nasher Chief Curator and curator of the exhibition, Jed Morse.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor: Jed Morse; foreword by Jeremy Strick\u003c\/p\u003e\n\u003cp\u003e© 2019 Nasher Sculpture Center\u003c\/p\u003e\n\u003cp\u003e12.25 X 9.25 X .63 in. | 119 pages\u003c\/p\u003e\n\u003cp\u003e58 color plates and illustrations\u003c\/p\u003e\n\u003cp\u003eHardcover with printed paper over board cover\u003c\/p\u003e\n\u003cp\u003eISBN: 978-0-9912338-9-2\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NASHER SCULPTURE CENTER","offers":[{"title":"Default Title","offer_id":18335522095200,"sku":"9780991233892","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1488\/8402\/products\/SR-catalogue-cover.jpg?v=1547658574"},{"product_id":"barry-x-ball-remaking-sculpture","title":"Barry X Ball Remaking Sculpture","description":"\u003cp\u003eThe publication \u003cem\u003eBarry X Ball: Remaking Sculpture\u003c\/em\u003e documents the first major US museum survey of the artist’s work over the past three decades. Lavishly illustrated with 69 color photographs, the book features new scholarly essays by Nasher Chief Curator, and curator of the exhibition, Jed Morse; as well as contributions by Glenn Adamson, a noted curator and scholar who works at the intersection of craft, design history, and contemporary art; and David C. 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However, within this space of familiar sculptural traditions, Bove has discovered new approaches that lead to places previously unknown. Bove's \"collage sculptures\" are created from scrap metal and stainless steel that has been carefully worked into sinuous forms and are frequently painted. Considering the hard rigidity of the steel, the works possess an appearance of almost impossible softness, as if steel could become as pliable as clay. Such works range from small pedestal sculptures to large, imposing compositions. 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Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a-kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculptural approach to making and an experimental embrace of metal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHarry Bertoia: Sculpting Mid-Century Modern Life accompanies the first US museum retrospective of the artist’s career to examine the full scope of his broad, interdisciplinary practice and features important examples of his furniture, jewelry, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalog of the artist’s numerous large-scale commissions. 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The added element of water over the surfaces of her sculptures further underscores the impression of gestural and spontaneous processes inherent in her latex and polyurethane pours of the 1960s and 1970s and gives the appearance of an object in continual transformation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstalled inside the Nasher, large bronze sculptures based on earlier ceramic works represent the importance of metal casting in Benglis’s practice—something she has engaged in since the early 1970s—while several works from her series of wall-based chicken wire, paper, and glitter sculptures demonstrate the artist’s commitment to surface ornamentation and engagement with issues of artistic taste and value. The exhibition's focus on new and recent work by the artist traces Benglis's long-abiding interests in gestural and organic forms and her use of casting as a means of extending her working process, enabling her to explore variations of surface, color, and scale.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.13 X 9.13 X 0.5 in. |\u003c\/p\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003cp\u003eISBN: 9781944316228\u003c\/p\u003e\n\u003cp\u003eNasher Sculpture Center, 2022\u003c\/p\u003e","brand":"NASHER SCULPTURE CENTER","offers":[{"title":"Default Title","offer_id":44028799385856,"sku":"9781944316228","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1488\/8402\/files\/LyndaBenglisNSC.png?v=1706741868"},{"product_id":"nairy-baghramian-modele-vivant","title":"Nairy Baghramian: Modèle Vivant","description":"\u003cp data-mce-fragment=\"1\"\u003eNew sculptures and installations that critically examine the formal, social, and linguistic roles of live models.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the past three decades, Iranian-born, German-based artist Nairy Baghramian (born 1971) has created sculptures and installations that upend expected modes of presentation and challenge the architectural, social, political, and historical contexts that inform them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new works featured in this publication explore the provisional body as the site of trauma--drawing inspiration from the tradition of the \"modèle vivant,\" the French term for a live model in an art class. In her \"ambivalently abstract\" works, the artist takes unconventional approaches to materials associated with sculptural traditions of casting, including aluminum, lead, steel and wax. In conversation with sculptures from the Nasher's permanent collection by Louise Bourgeois, Henri Matisse, Pablo Picasso and others, Baghramian's works offer new ways to think about representations of bodies and the unseen labor of models, as well as the linguistic play afforded by different meanings of the word \"model\" and its linguistic relatives, such as \"modulate\" and \"modify.\" \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book offers a richly illustrated and wide-ranging consideration of this powerful new body of work's initial presentation at the Nasher through vivid and extensive installation photographs and essays by the exhibition's curator, Catherine Craft, artist Julie Mehretu, scholar Kate Nesin, and curator Paulina Pobocha. Together, they offer insights into the role of personal history, sculptural tradition, the play of language, and other artists' considerations of the fragmented and broken body in the broader scope of Baghramian's practice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12 x 9 x 1 in. | 166 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover | Acrylic clear jacket\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN: 9781636811239\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNasher Sculpture Center, 2024\u003c\/p\u003e","brand":"NASHER SCULPTURE CENTER","offers":[{"title":"Default Title","offer_id":44312324964608,"sku":"9781636811239","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1488\/8402\/files\/NairyBaghramianModeleVivant.jpg?v=1706730474"},{"product_id":"nic-nicosia-everyday-surreal","title":"Nic Nicosia: Everyday Surreal","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNic Nicosia: Everyday Surreal\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e is a survey of the last 25 years of the artist’s five-decade career that reveals the material and conceptual evolution of one of the city’s most important living artists. With a fresh focus on his turn to sculpture in the 2010s, the exhibition will feature over 70 three-dimensional works, drawings, photographs, and films made since his mid-career survey in 1999–2000, in an installation evocative of the subtly surreal environments conceived in the artist’s work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Dallas in 1951, Nic Nicosia came to prominence in the 1980s as part of the Pictures Generation, an unofficial group of artists practicing in the 1970s and 80’s who questioned the authenticity of images and their role in shaping perceptions. He is best known for his photographs and films depicting everyday life—moments quietly quirky or completely gone awry—with costumed actors in brightly-colored sets including real objects with artist-made simulacra and hand-drawn or painted images. These photographic works exemplified a unique vision that dove-tailed nicely with broader Postmodern trends in contemporary art also represented in the work of artists such as Cindy Sherman, Laurie Simmons, and Jeff Wall, earning him notice in important exhibitions such as the Whitney Biennial in New York (1983 and 2000), \u003cem\u003eImage Fabrique\u003c\/em\u003e at the Centre Georges Pompidou in Paris (1983), and Documenta IX in Kassel, Germany (1992).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e133 pages.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISBN: 978-1-7336812-6-1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NASHER SCULPTURE CENTER","offers":[{"title":"Default Title","offer_id":48889682559232,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1488\/8402\/files\/nicosiacover.jpg?v=1782416311"}],"url":"https:\/\/nasher-store.myshopify.com\/collections\/nasher-products\/nasher-exclusives.oembed","provider":"Nasher Sculpture Center Store","version":"1.0","type":"link"}